MennoMedia released the pricing for the full suite of Voices Together products in the most recent edition of Leader magazine as well as in a brochure mailed to all Mennonite churches in the United States and Canada. Releasing all the pricing now allows congregations time to budget for the new hymnal in advance of its fall 2020 release.
Voices Together will be available in the following editions:
- Pew edition: $23.99 USD / $32.99 CAD
- Large-print edition: $43.99 USD / $59.99 CAD
- Accompaniment edition: $89.99 USD / $121.99 CAD
- Worship leader edition: $19.99 USD / $26.99 CAD
- Projection edition: $499.99 USD / $674.99 CAD
- App edition: The pew edition, accompaniment edition, and worship leader edition will be available to purchase separately in the Hymnals app offered for iPad and Android devices by GIA Music, at the same price as their respective print editions.
To assist congregations in purchasing the new hymnal, MennoMedia is offering presale discounts on the pew edition. The presale pricing and quantity discounts are made possible by generous financial donations and will only be available for the first 10,000 copies sold.
Pew Edition Quantity Discounts (full case quantities = 12 per case)
0–4 cases (1–48 books) = no discount
5–9 cases (60–108 books) = 5% discount
10 or more cases (120+ books) = 7% discount
Pew Edition Presale Pricing
Preorder = 5% discount on any quantity
Preorder with payment in full by May 1, 2020 = 10% discount on any quantity
Discounts may be stacked—with congregations applying the quantity discount first, then applying the preorder or preorder with prepayment discount. To receive quantity discounts and presale pricing, all payments for presales must be received by May 1, 2020.
“We have received tremendous financial support to make Voices Together a reality,” says Amy Gingerich, MennoMedia publisher. “Because of that very generous support, we are offering some presale discounts on the pew edition as a way to give back to congregations. We know that deciding to purchase new hymnals and accompanying resources is a significant investment for congregations, and this is one small way we are helping to make that possible.”
Custom imprinting to add a congregation’s name to copies of the pew edition is also available when purchasing 60 or more copies of the pew edition (5 or more cases) for an additional $7.99 USD / $9.99 CAD per copy.
This article originally appeared on Mennonite Church USA’s MennoSnapshots blog.
Paul Dueck is a retired music educator and presently employed by Mennonite Church Manitoba at Camp Assiniboia. He is passionate about congregational singing and has led music at numerous Mennonite assemblies. Paul is a member of the Voices Together worship and song committee.
In the summer of 1978, I attended my first Mennonite World Conference (MWC) Assembly. Mennonites from 48 nations gathered in Wichita, Kansas. It was a thrilling experience for me to sing under the leadership of Mary Oyer with the thousands that had gathered. I distinctly remember the choir from the Soviet Union. It was the first time that representatives from Russia attended, and their singing was received with thunderous applause and tears of joy. Nelson Mandela said, “Music is a great blessing because it gets people free to dream. It can unite us to all sing with one voice.” This experience shaped my love for singing with the wider global faith community and sparked an interest within me to search for intercultural songs that could be experienced in local congregations.
Having grown up in Asuncion, Paraguay, I was already familiar with some music from Latin America. It was there that I had the opportunity to learn the play the Paraguayan folk harp and learn some of the traditional music of that country. Later in life, I returned to Paraguay with my wife, Linda, and our three daughters, to teach at the Mennonite Seminary (CEMTA). Students from Brazil, Argentina and Uruguay added to the international flavour of the community. My love for intercultural songs was further increased.
In the summer of 1990, I had the privilege of participating in the music team at the MWC Assembly in Winnipeg, led by Marilyn Houser Hamm and Holda Fast. The songbook that was compiled by Doreen Klassen for this gathering is a rich collection of 86 songs from five continents that affirm unity while also expressing diversity. It was a highlight for me to sing these songs and experience them together with some 13,000 people from the wider Anabaptist community.
I will never forget the final gathering at the Winnipeg football stadium with around 32,000 people in attendance.
In the fall of 1990, I began teaching music at the Mennonite High School (UMEI) in Leamington, Ontario. The songbooks that were available to the students for the daily chapels were the “Mennonite Hymnal” and the “Sing and Rejoice” songbook. Having just come from a thrilling gathering of Anabaptists, I wanted the students to be exposed to some of the global songs that were shared at MWC in Winnipeg.
How wonderful it was that we were able to purchase the International Songbook for the school. One disadvantage of this songbook (for those of us that read music) is that the melody appeared on one page and the text in numerous languages on the opposite page. What joyful surprise it was that two years later the school purchased the “Hymnal, A Worship Book” which included numerous songs from the International Songbook. Our musical world was greatly enriched.
The wide range of musical styles provided a wonderful variety to our chapel services. The enjoyment of singing was so evident, that every week, one day was set aside for “music chapel.” In addition to the “Hymnal, A Worship Book,” we added collections that were used at national youth assemblies, since they contained more of the popular contemporary Christian songs. It is this idiom that will be more broadly represented in the new 2020 hymnal “Voices Together.”
Participants from 63 nations came together to celebrate bonds of faith at the 15th MWC Assembly held in Paraguay in 2009. The assembly began with a procession of banners from congregations, conferences, and other groups from around the world accompanied by a Paraguayan harp orchestra. It was a feast to the senses. Together with a very talented and diverse international music team, we helped lead the people in singing. I will never forget the experience when the electricity went off and we sat in total darkness. It was an impromptu decision to sing together, and I still recall the songs we sang. Three of the songs were “Grosser Gott wir loben dich”, “Alabaré”, and “Siyahamba.” In that last song (“We are walking in the light of God”), the electricity miraculously came back on. Singing each other’s songs was a mountain top experience for me.
It was a daunting task to decide on 44 songs that would make up the MWC songbook. How could we represent the Anabaptist global community in such a small collection? The MWC music committee actually debated whether a songbook was necessary at all, since so many people do not read notes. In the end, the decision was made to go ahead with a downsized version. People still appreciate taking a songbook home and perhaps teaching some of the songs to their home congregations.
At all the MWC Assemblies that I have attended, the highlight for me has been the choirs. They always provide such a glorious, diverse representation of singing in our global family.
Hearing a 160-voice choir made up of 11 Paraguayan ethnic groups was a powerful symbol of unity for me. Adding traditional instruments like Paraguayan harps, accordion, charango, conga drums and other percussion instruments gave it a Latin American flavour. Again, a feast to the senses!
To sing each other’s songs still remains for me one of the most beautiful ways to experience unity in diversity, and so I am very grateful to participate in the collection building for the new “Voices Together” hymnal.
HARRISONBURG, Va. — The Mennonite Worship and Song Committee is introducing the table of contents for Voices Together. This marks a significant development for the new hymnal coming in Fall 2020.
Hymnals are typically organized in one of three ways. They are developed around the Christian year (for example, Advent, Christmas, Good Friday, Easter), theological concepts (such as God, Jesus, Holy Spirit, church), or acts of worship (for example, gathering, praising, praying). Many hymnals draw on aspects of all three.
The 1992 Hymnal: A Worship Book is organized by acts of worship. The focus on what songs are doing rather than what they are about was a significant innovation. This table of contents structure is among the most important contributions of the volume to Mennonite worship. Not all contents in Hymnal: A Worship Book are held within the acts of worship structure. For example, baptism, communion, songs for occasions like weddings and funerals, and songs of a more personal nature (the “Worship in Our Faith Journey” section) are held outside this structure.
Voices Together is building on the structure of Hymnal: A Worship Book while developing the model a step further. The forthcoming collection begins with gathering and concludes with sending—everything is held within the order of worship. The overall structure is still present:
- gathering with praise and reconciling ourselves to God and one another;
- telling God’s story through Scripture;
- responding to God’s story by confessing faith, giving, and prayer; and
- being sent out to live God’s story in witness and service with God’s blessing.
However, there are two significant shifts. First, Voices Together frames faith and life stories as part of our response to God’s story, signaling that there is space in corporate worship for our stories to be shared and held in prayer. Second, baptism and communion are placed within the order of worship, implying that these are regular worship practices integrally connected to the week-by-week worship life of the church. Even if they are not celebrated each week, baptism and communion are also part of our response to God’s story.
The “Sharing Our Stories” section holds both the faith journey material from Hymnal: A Worship Book and material associated with the ministries of the church at significant moments in human lives. Therefore, child blessings, marriages, and funerals are also anchored in a broader worship context.
“This structure has become a crucial part of our process for selecting content as we work toward providing target numbers of songs within each category, and toward a balanced collection,” says Bradley Kauffman, project director for Voices Together. Worship resources editor Sarah Kathleen Johnson notes that “the worship resources at the back of the pew edition will also be organized according to this structure, although only the major headings will be listed. The worship leader edition will follow this structure as well.”